It’s measured mostly in Martins, haha. IPoP is the first, with Martin I as a main character. It also establishes Carmilla, who marries Martin I. Three generations later, Martin IV, “Princess” (Persephone Mercedes), Titania and the other eleven souls climb the Demon Tower in Diablocide. A generation later, Carmilla (who is immortal due to the finale of IPoP) and Wish (who is a vessel for Titania’s soul) assassinate Empress Persephone to end the war between Mercedes and Cydrel; Rigid Grave is the procession of the Abyssal Folk who carry Persephone’s corpse to the Edifice to become a dark goddess, the Moth Queen.

The original Edifice has become Edifice: Beyond the Truth, which follows Carmilla, Wish, Martin V (Olsen, who is unwittingly Carmilla’s great-great-grandson) and the others within the Edifice itself, as they attempt to climb it to make their dreams come true, much like Diablocide and the fourteen characters climbing the Demon Tower. Due to the events of the other side of the duology, Edifice: Dark Guidance, everything goes to shit pretty quickly and the sixteen are forced to confront the realities they’ve been trying to ignore and supress.

In E:DG, an entirely new cast (including Persephone’s illegitimate daughter), dead souls who leaked from the broken Edifice into the Netherworld, fights off the Moth Queen (Persephone) and Czarina, the Frost Queen, who have made and abused pacts with the Dark Sun that is attempting to rupture the Edifice and destroy both the Netherworld and the world of humans. They have some interactions with E:BtT’s cast a bit, mostly Carmilla and Seth.

Finally, E:FT takes place three hundred years later in the ravaged world of humans, using most of E:FT’s cast. They’ve been rewarded by the Edifice with three hundred years of bliss walking the halls of the Edifice, but are now gifted with mortality. Carmilla and Seth return with an incredibly interesting role that I won’t spoil, even though you learn of it within the first minute of the game.

Use a before or after effect that grants the attacker some MP. Anything this script can do can easily be attached to a skill with, most likely, a single line of code. If you want it based on actor/class, just check if the attacker is an actor and then their id/class id. Learn how to use case statements!

What I was trying to do was to have normal attacks return a small percentage of the attacker’s MP, and they would recover more MP based on Class/Actor (characters who relied on skills more recovered more, etc). I tried tagging weapons, but landing a hit from a skill was returning MP too, and that made any kind of multi-hit skill a nightmare – skills that struck multiple times were rewarding more than their cost in MP.

Normal attacks aren’t all bad if you can find interesting things to do with them through scripts like Yanfly’s Weapon Attack Replace, or through giving the player some sort of reward for making use of them

The better plan would be to use Lunatic Object Effects, honestly.

It looks as if you write your scripts with Yanfly’s work in mind, so I thought I would point this out to you. Love this script!